Rebecca Harding Davis admirably wrote "Life in the Iron-Mills" to show the unrelenting fact that there is no such thing as social mobility and the only way for social stratification is placing one self outside the system. Davis' introduction with landscape is more than just a picturesque walk for the reader to embark upon. The landscape of "Life in the Iron Mills" reveals the lack of any type of mobility, from the foggy sky to the sluggish river and everything in-between. Davis takes the readers on a tour through a "town of iron-works" and the first thing one notice is the evasive smoke that taints everything, especially the working poor class. Davis repetition of the word "smoke" gives a sense of how common this evasiveness in the iron mills "smoke on the wharves, smoke on the dingy boats
Smoke everywhere!" (2548). The scene that justly reflects every social status stratifying to elevate from their present status is in the meeting of the Mitchell, Kirby, Doctor May, and Hugh. The obvious person who desperately wants to leave his status is Hugh Wolfe. Wolfe represents the working class that supports the old adage "man cannot live by work alone" because when they do they have to use ale to escape their harsh reality. Even Wolfe, who couldn't easily be pacified, but still needed to be pacified "drank but seldom; when he did, desperately" (Davis 2554). Hugh looks at Mitchell nothing short of adoration, instinctively knowing that he is part of "thoroughbred gentlemen" and when seeing himself "in a mirror his filthy body, his more stained soul" (Davis 2556). Hugh knows that Mitchell's status is too high for even the idealistic attainability and settles with the conclusion "that between them there was a great gulf never to be passed" (Davis 2557). On the other hand, Kirby, the mill owner, believes that there is no great divide between himself and Mitchell. Kirby represents the middle class who reaps the profits of the poor working class but continues to...
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